Questions To Create A Design

Who is the target audience?

Find out who you are designing for. This will have a great impact on the style, content and message of the project. For example, a postcard aimed at new customers will be completely different from one aimed at existing customers. Some variables that can impact design include:

  • Internal (i.e. employees of the company) or external customers
  • Age
  • Geographic location
  • Gender
  • Depending on the project, factors like economic status and religion may also come into play.​

What Is The Message?

Find out what message our client is trying to get across to the target audience. The overall message can be something as simple as thanking customers or announcing a new product. Once that is established, go beyond it to find out the “mood” of the piece. Is it excitement? Sadness? Compassion? Gather some keywords that will help with the overall style of our design. If you are in a meeting with a group of people, consider asking each person to come up with a few words that they think describe the mood of the message, and brainstorm from there.

What Are The Specs Of The Project?

The client may already have an idea of specifications for a design, which is helpful for determining the time involved in the project, and therefore the cost. For example, a 12-page brochure will take much longer than a 4-page foldout. If the client doesn’t know exactly what they are looking for, now is the time to make some recommendations and to try to finalize these specs. The amount of content to present, budget, and final use of the design may all affect these decisions. Determine:

  • Dimensions
  • Number of pages
  • Black and white vs. 2-color vs. 4-color printing
  • Paper stock
  • Size of print run (the number of pieces to print)

What Is The Budget?

In many cases, the client will not know or disclose their budget for a project. They may either have no idea what a design should cost, or they may want you to say a number first. Regardless, it is usually a good idea to ask. If a client has a specific budget in mind and tells you, it can help to determine the scope of the project and our final cost. This is not to say you should do the project for whatever the client says they can pay. Instead, you may alter some parameters (such as timeframe or the amount of design options you provide) to fit within the budget.

Whether they reveal a budget or not, it is ok to say you need to review the project and will get back to them with a quote. You don’t want to throw out a number that will have to change once you’ve had more time to think about it. Sometimes, the client budget will be much lower than you were expecting for a project, and then it is up to you if you want to take the work below our costs for the experience or our portfolio. In the end, you should be comfortable with what you are making for the amount of work, and it should be fair to the client.

Is There A Specific Deadline?

Find out if the project needs to be done by a specific date. The job may coincide with a product launch, or another important milestone, for our client. If there is not a deadline, you will want to create a timeframe for completing the project and present it to the client. This, much like our estimate, can be done after the meeting. If there is a deadline and you feel it is not reasonable, it is not uncommon to charge a rush-fee to finish it in time. All of these variables should be discussed prior to the start of the work, so everyone involved is on the same page and there are no surprises.

Can The Client Provide Creative Direction?

Whenever possible, it is helpful to get at least a little creative direction from the client. Of course, you will be creativing something new and unique for them, but some ideas will help you get started. Ask if there are any designs, design elements or other cues they can give you, such as:

  • Colors
  • Fonts
  • Works of art
  • Other designs
  • Websites

It is also important to find out if there is an existing brand that you need to match. The client may have a color scheme, typefaces, logos or other elements that need to be incorporated into our design. Larger clients will often have a style sheet you can follow, while others may just show you some existing designs.

Collecting this information, and any other ideas, from our potential clients will help the working relationship and design process go smoothly. Be sure to take detailed notes when asking these questions, and include as much information as possible in our proposal.

Questions by Clients for Printing

1.  At what resolution should I save my photos and graphics?

Resolution should be set to 300 dpi.

Pictures and graphics pulled from the internet are often low resolution, typically 72 dpi or 96 dpi. Avoid these graphics, as they will appear pixilated and blocky when printed.

Also note that you should save all photos in CMYK mode, not RGB mode when possible. Images saved in RGB mode may not print properly. If you are unable to save your image in CYMK mode, please let us know.

2.  How do I go about getting an estimate from you?

Well, since you are here, we would suggest you use our online estimate request form. Otherwise, the best way to ensure that we get all the information necessary to do an accurate quote, give us a call and talk with one of our client service representatives.

3.  How long does it take for you to complete my order?

Generally speaking, we typically turnaround projects in 5 to 10 working days from receipt of final approval. We also realize there are times when you need us to step it up and deliver your projects sooner. We will do our best to honor your requests for quicker delivery if it is in our power to do so. It is always best to check with us early on in the development of a project so that we may help complete your project on time and on budget.

4.  Is white considered a printing color?

Not typically. Because white is the default color of paper, it is simply recognized as the absence of any ink. However, when using colored paper, white ink may be used if any text or graphic requires it.

5.  Tips on how to save your design files?

Make them print ready and acceptable for us to print.

Saving your Corel Draw file as an Adobe Illustrator EPS
• Embed all Images
• Convert all your text/copy to outline fonts
• Export as Illustrator EPS

• Embed all Images
• Convert all your text/copy to paths
• Export as Illustrator EPS or PDF

Saving your PageMaker file as an EPS
• Embed all Images
• Export your file as an EPS using the below settings:
Postscript Level 2
TIFF format and
• Convert all your text/copy to outline fonts in Illustrator

You will need to have the full version of Adobe Acrobat PDF. If you don’t please download and use our Adobe Job Ready Program. If you do have the full version of Adobe Acrobat PDF please follow the steps below.
Under File, Print, select Adobe PDF writer
Under Properties select Press Quality and Save your PDF

6.  What file format should I use when submitting my electronic document for printing?

PDF (Portable Document Format) is the most common and preferred file format for submitting digital documents. With the installation of a PDF print driver on your computer, virtually any program can generate a PDF file suitable for printing. Both commercial and free PDF print drivers are available online for download from different sources.

7.  What is a proof and why is it important that I look at it?

In printing terms, a proof is a one-off copy of your document after all modifications and printing setup processes have been completed. It is your last and best opportunity to make sure that the print job comes out the way you want. By carefully inspecting the proof, you can help us assure an accurate, flawless delivery of your print job on the first run.

8.  What is the Pantone Matching System?

The Pantone Matching System (PMS) is a color reproduction standard in which colors all across the spectrum are each identified by a unique, independent number. The use of PMS allows us to precisely match colors and maintain color consistency throughout the printing process.

9.  What type of products and services do you provide?

Good question! We are a full service shop and offer a wide range of products and services. To see a full listing and description of what we can offer you, checkout the Products & Services area in the Customer Service Section of our website.

10. Why do the printed colors look different from the colors on my screen?

In short, printers and monitors produce colors in different ways.

Monitors use the RGB (red, green, blue) color model, which usually supports a wider spectrum of colors. Printers use the CMYK (cyan, magenta, yellow, black) color model, which can reproduce most—but not all—of the colors in the RGB color model. Depending on the equipment used, CMYK generally matches 85–90% of the colors in the RGB model.

When a color is selected from the RGB model that is out of the range of the CMYK model, the application chooses what it thinks is the closest color that will match. Programs like Adobe Photoshop will allow you to choose which color will be replaced. Others may not.

Why MyMarcom

Why Mymarcom?

by mymarcom

Here are a few of the reasons our clients continually come back to MYMARCOM for global product sourcing, logistics, and distribution.

Vendor-Neutral Sourcing
Because we don’t maintain our own manufacturing facilities, we’re free to identify the very best production partner for each individual project.

In-Country Project Management
Too many companies rely on long-distance project management, and it just doesn’t work. That’s why we have over 30 in-country managers who can oversee the project from start to finish.

On-Site Quality Control
By placing someone on-site, we’re able to eliminate errors at the point-of-manufacture, instead of you finding them when they show up at the final point of distribution halfway across the world.

End-To-End Supply Chain Services
We can manage every aspect of your project, from design to delivery, freeing you to focus on your core responsibilities.

Integrated Solutions
We work with best-of-breed partners in manufacturing, sourcing, and technology to provide top-quality integrated solutions. 

Global Buying Power
By leveraging our aggregate sourcing volume, we are able to achieve pricing unattainable by our competition without sacrificing our commitment to quality.

Worldwide Strategic Trade Partners (STPs)
We’ve identified proven Strategic Trade Partners across the globe that deliver consistent quality and reliability at preferred prices.

Lenticular Printing

Lenticular printing is a technology in which lenticular lenses (a technology that is also used for 3D displays) are used to produce printed images with an illusion of depth, or the ability to change or move as the image is viewed from different angles. Examples of lenticular printing include flip and animation effects such as winking eyes, and modern advertising graphics that change their message depending on the viewing angle. This technology was created in the 1940s but has evolved in recent years to show more motion and increased depth. Originally used mostly in novelty items and commonly called “flicker pictures” or “wiggle pictures,” lenticular prints are now being used as a marketing tool to show products in motion. Recent advances in large-format presses have allowed for oversized lenses to be used in lithographic lenticular printing.


Lenticular printing is a multi-step process consisting of creating a lenticular image from at least two images, and combining it with a lenticular lens. This process can be used to create various frames of animation (for a motion effect), offsetting the various layers at different increments (for a 3D effect), or simply to show a set of alternate images which may appear to transform into each other. Once the various images are collected, they are flattened into individual, different frame files, and then digitally combined into a single final file in a process called interlacing.

Lenticular printing has been used to produce movie posters, such as this advert for Species II, which morphs between two different character appearances when the angle of viewing changes.

From there the interlaced image can be printed directly to the back (smooth side) of the lens or it can be printed to a substrate (ideally a synthetic paper) and laminated to the lens. When printing to the backside of the lens, the critical registration of the fine “slices” of interlaced images must be absolutely correct during the lithographic or screen printing process or “ghosting” and poor imagery might result. Ghosting also occurs on choosing the wrong set of images for flip.

The combined lenticular print will show two or more different images simply by changing the angle from which the print is viewed. If more (30+) images are used, taken in a sequence, one can even show a short video of about one second. Though normally produced in sheet form, by interlacing simple images or different colors throughout the artwork, lenticular images can also be created in roll form with 3D effects or multi-color changes. Alternatively, one can use several images of the same object, taken from slightly different angles, and then create a lenticular print which shows a stereoscopic 3D effect. 3D effects can only be achieved in a side to side (left to right) direction, as the viewer’s left eye needs to be seeing from a slightly different angle than the right to achieve the stereoscopic effect. Other effects, like morphs, motion, and zooms work better (less ghosting or latent effects) as top-to-bottom effects, but can be achieved in both directions.

There are several film processors that will take two or more pictures and create lenticular prints for hobbyists, at a reasonable cost. For slightly more money one can buy the equipment to make lenticular prints at home. This is in addition to the many corporate services that provide high volume lenticular printing.

There are many commercial end uses for lenticular images, which can be made from PVC, APET, acrylic, and PETG, as well as other materials. While PETG and APET are the most common, other materials are becoming popular to accommodate outdoor use and special forming due to the increasing use of lenticular images on cups and gift cards. Lithographic lenticular printing allows for the flat side of the lenticular sheet to have ink placed directly onto the lens, while high-resolution photographic lenticulars typically have the image laminated to the lens.

Recently, large format (over 2m) lenticular images have been used in bus shelters and movie theaters. These are printed using an oversized lithographic press. Many advances have been made to the extrusion of lenticular lens and the way it is printed which has led to a decrease in cost and an increase in quality. Lenticular images have recently seen a surge in activity trading cards, sports posters and signs in stores that help to attract buyers.

The newest lenticular technology is manufacturing lenses with flexo, inkjet and screen-printing techniques. The lens material comes in a roll or sheet which is fed through flexo or offset printing systems at high speed, or printed with UV inkjet machines (usually flat-beds that enable a precise registration). This technology allows high volume 3D lenticular production at low cost.


Each image is arranged (slicing) into strips, which are then interlaced with one or more similarly arranged images (splicing). These are printed on the back of a piece of plastic, with a series of thin lenses molded into the opposite side. Alternatively, the images can be printed on paper, which is then bonded to the plastic. With the new technology, lenses are printed in the same printing operation as the interlaced image, either on both sides of a flat sheet of transparent material, or on the same side of a sheet of paper, the image being covered with a transparent sheet of plastic or with a layer of transparent, which in turn is printed with several layers of varnish to create the lenses.

The lenses are accurately aligned with the interlaces of the image, so that light reflected off each strip is refracted in a slightly different direction, but the light from all pixels originating from the same original image is sent in the same direction. The end result is that a single eye looking at the print sees a single whole image, but two eyes will see different images, which leads to stereoscopic 3D perception



by mymarcom

Promotion is one of the market mix elements or features, and a term used frequently in marketing. The marketing mix includes the four P’s: price, product, promotion, and place. Promotion refers to raising customer awareness of a product or brand, generating sales, and creating brand loyalty. Promotion is also found in the specification of fivepromotional mix or promotional plan. These elements are personal selling, advertising, sales promotion, direct marketing, and publicity. A promotional mix specifies how much attention to pay to each of the five subcategories, and how much money to budget for each. A promotional plan can have a wide range of objectives, including: sales increases, new product acceptance, creation of brand equity, positioning, competitive retaliations, or creation of a corporate image. Fundamentally, there are three basic objectives of promotion. These are:

1.   To present information to consumers as well as others.

2.   To increase demand.

3.   To differentiate a product.

There are different ways to promote a product in different areas of media. Promoters use internet advertisements, special events, endorsements, and newspapers to advertise their product. Many times with the purchase of a product there is an incentive like discounts (i.e., coupons), free items, or a contest. This method is used to increase the sales of a given product.

The term “promotion” is usually an “in” expression used internally by the marketing company, but not normally to the public or the market – phrases like “special offer” are more common. An example of a fully integrated, long-term, and a large-scale promotion are My Coke Rewards and Pepsi Stuff. The UK version of My Coke Rewards is Coke Zone.

Promotions are also held in physical environments at special events such as concerts, festivals, trade shows, and in the field such as in grocery or department stores. Interactions in the field (i.e., grocery and department stores), allow customers to purchase the brand or product immediately. The interactions among the brand and the customer are performed by brand ambassadors or promotional models[5] that represent the products and brands in physical environments. Brand ambassadors or promotional models are hired by marketing companies that are hired by the brand to represent the product and/or service. Person-to-person interaction, as opposed to media-to-person involvement, establishes connections that add another dimension to promotion. Building a community through promoting goods and services can lead to brand loyalty.

Promotional activities to push a brand enabling social media channels to spread content making something viral such as the advertising by Coke using the release of a newBond film creating a huge amount of attention which then gets promoted across all social channels by people spreading the information due to excitement. Social media, as a modern marketing tool, offers opportunities to reach larger audiences in an interactive way. These interactions allow for conversation rather than simply educating the customer. Facebook, Twitter, LinkedIn, Pinterest, Google Plus, Tumblr and Instagram are rated as some of the most popular social networking sites. As a participatory media cultures, social media platforms or social networking sites are forms of mass communication that through media technologies allow large amounts of product and distribution of content to reach the largest audience possible. However, there are downsides to virtual promotions as servers, systems, and websites may crash, fail, or become overloaded. With promotion through participatory media, there is an opportunity to gain social capital.

Promotion can be done by different media, namely print media which includes Newspaper and magazines, Electronic media which includes radio and television, Digital media which includes internet, social networking and social media sites and lastly outdoor media which includes banner ads, OOH (out of home). Digital media is a modern way of brands interacting with consumers as it releases news, information and advertising from the technological limits of print and broadcast infrastructures. Mass communication has led to modern marketing strategies to continue focusing on brand awareness, large distributions and heavy promotions. The fast-paced environment of digital media presents new methods for promotion to utilize new tools now available through technology. With the rise of technological advances, promotions can be done outside of local contexts and cross geographic borders to reach a greater number of potential consumers. The goal of a promotion is then to reach the most people possible in a time efficient and a cost efficient manner.

Offset Printing

Offset Printing

by mymarcom

Offset printing is a commonly used technique in which the inked image is transferred (or “offset”) from a plate to a rubber blanket, then to the printing surface.

When used in combination with the lithographic process, which is based on the repulsion of oil and water, the offset technique employs a flat (planographic) image carrier on which the image to be printed obtains ink from ink rollers, while the non-printing area attracts a water-based film (called “fountain solution”), keeping the non-printing areas ink-free.

The modern “web” process feeds a large reel of paper through a large press machine in several parts, typically for several metres, which then prints continuously as the paper is fed through.

About Us

About Us

by mymarcom

We are CEBECI / MYMARCOM, a recognized on the European market printing factory. We work for some of the biggest companies and businesses in France, Nederland, Germany, U.K, Qatar, Morroco, Kenya, Russia and recently Canada and US.

Whatever the size of your business and whether you’re a publisher, a marketing & communication agency, a broker of printing services, weather you’re part of the fashion, hotel and tourism sectors or simply a private person, we offer you a full range of services from design to printing and shipment of the product to the customer’s address.

To meet all your needs and quality expectations, our team of graphic designers, technologists, and salesmen, puts all its know-how and high level of technical expertise, at your service.

We print on any type of material: Paper, plastic, CD, fabrics, PVC and we offer you a wide choice of products:

– Books (hard and soft cover): pop-up books, comics, picture books, art books, tour guides, novels…

– Promotional tools: POS advertising, Posters, Brochures, Catalogues, leaflets, event tickets, stickers, flyers

In short CEBECI / MYMARCOM : Is an expert in custom printing. Offers absolute print quality at the best prices around the world. Offers a wide choice of products.

Get a Quote

Get a Quote

by mymarcom
Contact Us

Contact Us

by mymarcom

Mymarcom Cebeci İç Ve Dış Ticaret Pazarlama

Ahmediye Mah. Dr. Fahri Atabey Cd. No:18/24 Üsküdar/İstanbul – TURKEY

Factory And Postal Address:
Ziya Gökalp Mah. Süleyman Demirel Bulvarı İş Modern Sitesi, D Blok D:8 Basakşehir, 34490 İstanbul -TURKEY

Phone: +90 505 968 37 54
Fax: +90 212 549 25 75

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